Search Worlds Without End

A 21st-Century Utopia

Two of England's most distinguished thinkers have created a bold and startling vision of a new society escaping the ashes of the old.

In the not-so-distant future, Man will have begun to colonize our planetary neighbor, Mars. Entrenched corporate and national interests have footed the bill, but a few visionary people attempt to keep Mars free of the hidebound ideologies that have plagued the Earth and turned it into a polluted wasteland of war and hunger.

The colony has barely begun to take root in the Martian soil when all communication with EUPACUS--as the industrialized nations of Earth are known--is cut off completely. Environmental and economic stresses have finally spun out of control, and civilization as we know it has collapsed. With no hope of escape or support from Earth, the Martians must overcome the dire obstacles that face them and forge a new alliance for survival.

Led by the brave Tom Jefferies, the colonists struggle to build a new way of living based on the search for knowledge, the improvement of human conditions, and the elimination of the hatreds and delusions that lead to misery in the past.

Included in an appendix is the complete text of the Charter for an Independent Mars, written by Dr. Laurence Lustgarten, a renowned expert on international law.

Others have written SF on the theme of immortality, but in The Boat of a Million Years, Poul Anderson made it his own. Early in human history, certain individuals were born who live on, unaging, undying, through the centuries and millenia. We follow them through over 2000 years, up to our time and beyond-to the promise of utopia, and to the challenge of the stars.

A milestone in modern science fiction, a New York Times Notable Book on its first publication in 1989, this is one of a great writer's finest works.

The New Atlantis is a utopian novel by Sir Francis Bacon. In this work, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendor, piety and public spirit" are the commonly held qualities of the inhabitants of "Bensalem". The plan and organization of his ideal college, "Salomon's House" envisioned the modern research university in both applied and pure sciences.

Many aspects of the society and history of the island are described, such as the christian religion - which is reported to have being born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honor of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom".

A communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873-1928), one of the early organizers and prophets of the Russian Bolshevik party.

The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist.

A few years from now on the small and remote island of Havergey, a community of survivors from a great human catastrophe has created new lives and a new world in a landscape renewed after millennia of human exploitation. In this new novella, an award-winning poet and novelist brings his unique sensibility to the idea of utopia. A timely reminder about how precious and precarious our world is, it's also a rejection of the idea of human supremacy over landscape and wildlife.

The book is presented as a dialogue between "a Grandmaster of the Knights Hospitaller and a Genoese Sea-Captain". Inspired by Plato's Republic and the description of Atlantis in Timaeus, it describes a theocratic society where goods, women and children are held in common. It also resembles the City of Adocentyn in the Picatrix, an Arabic grimoire of astrological magic.

In the final part of the work, Campanella prophesies--in the veiled language of astrology--that the Spanish kings, in alliance with the Pope, are destined to be the instruments of a Divine Plan: the final victory of the True Faith and its diffusion in the whole world. While one could argue that Campanella was simply thinking of the conquest of the New World, it seems that this prophecy should be interpreted in the light of a work written shortly before The City of the Sun, The Monarchy in Spain, in which Campanella exposes his vision of a unified, peaceful world governed by a theocratic monarchy.

Jules is a young man barely a century old. He's lived long enough to see the cure for death and the end of scarcity, to learn ten languages and compose three symphonies - and to realize his boyhood dream of taking up residence in Disney World.

Disney World! The greatest artistic achievement of the long-ago twentieth century. Now in the care of a network of volunteer "ad-hocs" who keep the classic attractions running as they always have, enhanced with only the smallest high-tech touches.

Now, though, it seems the "ad hocs" are under attack. A new group has taken over the Hall of the Presidents and is replacing its venerable audioanimatronics with new, immersive direct-to-brain interfaces that give guests the illusion of being Washington, Lincoln, and all the others. For Jules, this is an attack on the artistic purity of Disney World itself.

Worse: it appears this new group has had Jules killed. This upsets him. (It's only his fourth death and revival, after all.) Now it's war: war for the soul of the Magic Kingdom, a war of ever-shifting reputations, technical wizardry, and entirely unpredictable outcomes.

Bursting with cutting-edge speculation and human insight, Down and Out in the Magic Kingdom reads like Neal Stephenson meets Nick Hornby: a coming-of-age romantic comedy and a kick-butt cybernetic tour de force.

Download this book for free from the author's website.

Hubert Vernon Rudolph Clayton Irving Wilson Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Espinoza -- known to his friends as Hubert, Etc -- was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be -- except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society -- and walk away.

After all, now that anyone can design and print the basic necessities of life -- food, clothing, shelter -- from a computer, there seems to be little reason to toil within the system.

It's still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it's war -- a war that will turn the world upside down.

Arguably the first work of science fiction in English, Francis Godwin's The Man in the Moone was published in 1638, pseudonymously and posthumously.

The novel, which tells the story of Domingo Gonsales, a Spaniard who flies to the moon by geese power and encounters an advanced lunar civilization of Christians who live in a Utopian state.

The work had an enormous impact on the European imagination for centuries after its initial publication, due to its discussion of advanced ideas about astronomy and cosmology. The novel is an important example of both popular fiction and scientific speculation.

After fifty-one long years of patient waiting, the message has finally arrived. They have dedicated their lives to trying to decipher the eerie silence that resounds from space and now there is finally a sound after decades of quiet. In the beginning there is a hail of celebration, the Project has finally produced results, but then the questions begin. What does the message mean? Could it be 'we come in peace' or 'get ready for world domination'?

The message baffles Earth. Only one man has the power to make the decision and it could mean intergalactic warfare if he makes the wrong choice. Director MacDonald holds in his hands the fate of Earth, the universe and the Project, which is dedicated to answering questions that have plagued humanity for centuries. Will he make the correct choice?

The final novel of Hermann Hesse, for which he won the Nobel Prize for Literature in 1946, The Glass Bead Game is a fascinating tale of the complexity of modern life as well as a classic of modern literature.

Set in an unspecified future, The Glass Bead Game is the story of Joseph Knecht, who has been raised in Castalia, the remote place his society has provided for the intellectual elite to grow and flourish. Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and scientific arts, such as mathematics, music, logic, and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

The colonists on Chiron were educated entirely by robots, and really believe that stuff about liberty. Then ships from Earth arrive to take over - and find that those damned colonials have such an attitude...

In his final novel, which he considered his most important, Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years.

Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and—to his amazement—give him hope.

Six of these tales are set in the author's signature world of the Ekumen, a world made familiar in her award-winning novel The Left Hand of Darkness. The title story was hailed by Publisher's Weekly as "remarkable... a standout." Paradises Lost is a mesmerizing novella of space exploration and the pursuit of happiness. These stories explore complex social interactions, troublesome issues of gender and sex, and the meaning of transformation, religion, and history.

Contents:

• Coming of Age in Karhide by Sov Thade Tage em Ereb, of Rer, in Karhide, on Gethen
• The Matter of Seggri
• Unchosen Love
• Mountain Ways
• Solitude
• Old Music and the Slave Women
• The Birthday of the World
• Paradises Lost

Hugo Award winning short story. It originally appeared in the anthology New Dimensions III (1973), edited by Robert Silverberg. The story has been reprinted many times. It can be found in the anthologies:

• The Best Science Fiction of the Year #3 (1974), edited by Terry Carr
• The Hugo Winners, Volume 3: (1970-75) (1977), edited by Isaac Asimov
• The Fantasy Hall of Fame (1983) edited by Robert Silverberg and Martin H. Greenberg
• Treasures of Fantasy (1999) edited by Margaret Weis and Tracy Hickman
• Masterpieces: The Best Science Fiction of the Century (1999), edited by Orson Scott Card
• The Secret History of Science Fiction (2009), edited by James Patrick Kelly and John Kessel
• Brave New Worlds: Dystopian Stories (2011), edited by John Joseph Adams

The story is included in the collections The Wind's Twelve Quarters (1975), Outer Space, Inner Lands (2012), The Wind's Twelve Quarters & The Compass Rose (2015) and The Unreal and the Real: Selected Stories of Ursula K. Le Guin (2016).

Hal Bregg is an astronaut who returns from a space mission in which only 10 biological years have passed for him, while 127 years have elapsed on earth. He finds that the earth has changed beyond recognition, filled with human beings who have been medically neutralized. How does an astronaut join a civilization that shuns risk?

In his most famous and controversial book, Utopia, Thomas More imagines a perfect island nation where thousands live in peace and harmony, men and women are both educated, and all property is communal. Through dialogue and correspondence between the protagonist Raphael Hythloday and his friends and contemporaries, More explores the theories behind war, political disagreements, social quarrels, and wealth distribution and imagines the day-to-day lives of those citizens enjoying freedom from fear, oppression, violence, and suffering.

Originally written in Latin, this vision of an ideal world is also a scathing satire of Europe in the sixteenth century and has been hugely influential since publication, shaping utopian fiction even today.

News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation.

In the Socialist Utopia of the People's Republic of Britain a routine criminal investigation spirals out of control with world-shattering consequences.

The Cold War ended thirty years ago, the Communists have won in Europe and the world has settled into two blocks divided by a silicon curtain, The Partition.

The tranquil backwater of the People's Republic of Britain is due to host an international sporting event, the Games, and celebrate the twenty-fifth anniversary of the country becoming a republic. When the organiser of the Games dies suddenly and his office is broken into, Barrow, the retired security operative enlisted to investigate, is drawn into a conspiracy that has implications not only for him and his team of young and inexperienced assistants, but for their entire way of life.

How is the American research student Julia Verona implicated? Is some kind of attack being planned? Who is really in command of the operation? Is there a double agent within the PRBs security apparatus? What is the significance of the reclusive novelist Vernon Crane?

Fusing the trappings of a literary thriller with experimental style, Eminent Domain explores the art, culture, politics, personalities, conflicts, loves and losses of a range of boldly realised characters in a Utopian world radically different to our own but recognizably the way that things, at one time, might have been.

A kaleidoscopic satire of our present moment, Eminent Domain is both a dark thriller and a radical neo-modernist experiment that probes at the limits of Utopia, a formally dazzling reimagining of the political novel in which lives, worlds and even realities collide to devastating effect.

In this remarkable tetralogy of short novels, Nichols envisions the nature of our communal, yet highly individualized society in which decentralized democracy, ecological sensibility, bioregional principles, and liberatory technologies are integrated into a traditional culture. It is a vision of utopia emerging out of the rich particularity of history and lived experience. First published in five separate volumes in the late 1970s, Daily Lives in Nghsi-Altai has never gained the recognition it deserves. It is an extraordinary contribution to both literary and theoretical utopianism and should be recognized both for its radical ideology and for the fecundity of the imagination that informs it at all moments. It is a beguiling and inventive mixture of hallucinogenic prose and poetry that has demonstrates a fiercely independent mind and talent at its pinnacle. This reissue includes the full series, Red Shift (with illustrations from Peter Schumann), Arrival, Gahr City, The Harditts in Sawna, and Exile.

"As those lucky enough to have read Daily Lives in Nghsi-Altai know, Robert Nichols is one of our most profoundly original writers, his political passion, and acuteness transfigured by a visionary gleam." --Ursula K. Le Guin

Table of Contents:

• The Fire-Bringer
• The Midas Plague - (1954)
• The Servant of the People - (1982)
• The Man Who Ate the World - (1956)
• The Farmer on the Dole - (1982)
• The Lord of the Skies
• The New Neighbors - (1983)

Trina Goldberg-Oneka is a fifty-year-old trans woman whose life is irreversibly altered in the wake of a gentle - but nonetheless world-changing - invasion by an alien entity called The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.

Trina and her wife, Deeba, live blissfully under The Seep's utopian influence - until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seeptech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.

Heartbroken and deep into an alcoholic binge, Trina follows a lost boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.

Sprung from a prison in the centre of a star the universe's last criminal is employed to kill the population of a planet. It is a crime that will tear apart an interstellar utopia. Keeping ahead of detection and preparing the crime the killer voyages to numerous worlds and hones the instincts required for murder. And wonders who is behind the contract. Roberts' new novel is an extraordinary fusing of ideas, exotic locations, personal drama and an enquiry into the nature of crime in a society that thinks it has forgotten how to commit it.

This story, about an all-female society suddenly faced with the presence of men, is one of the most famous tales in science fiction.

It has been collected in The Zanzibar Cat (1983) and anthologized in Again, Dangerous Visions (1972), Nebula Award Stories 8 (1973), The New Women of Wonder (1978), The Best of the Nebulas (1989), The Road to Science Fiction 3: From Heinlein to Here (1979), Sisters of the Revolution: A Feminist Speculative Fiction Anthology (2015) and The Big Book of Science Fiction (2016).

Read this story online for free at the Sci Fiction archive.

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions--and snares--of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored.

Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.

The future is coming... for some, sooner than others.

Ellis Rogers is an ordinary man, who is about to embark on an extraordinary journey. All his life he has played it safe and done the right thing, but faced with a terminal illness he's willing to take an insane gamble. He's built a time machine in his garage, and if it works, he'll face a world that challenges his understanding of what it means to be human, what it takes to love, and the cost of paradise. He could find more than a cure for his illness; he might find what everyone has been searching for since time began... but only if he can survive Hollow World.

Welcome to the future and a new science fiction thriller from the bestselling author of The Riyria Revelations.

Classic fantasy from the amazing Sheri S. Tepper. Women rule in Women's Country. Women live apart from men, sheltering the remains of civilization They have cut themselves off with walls and by ordinance from marauding males. Waging war is all men are good for. Men are allowed to fight their barbaric battles! amongst themselves, garrison against garrison. For the sake of his pride, each boy child ritualistically rejects his mother when he comes of age to be a warrior. But all the secrets of civilization are strictly the possession of women. Naturally, there are men who want to know what the women know! And when Stavia meets Chernon, the battle of the sexes begins all over again. Foolishly, she provides books for Chernon to read. Before long, Chernon is hatching a plan of revenge against women!

What happens when two U.S. Naval Astronauts land on the planet Harlech, where there is no government, no law -- indeed, no concept of sin! Public nudity is a way of life and the paternalism of children is of little interest to their mothers.

This wry, amusing, and suspenseful satire is truly John Boyd at his best.

Hugo, Nebula and Locus award nominated novella. It originally appeared in The Magazine of Fantasy and Science Fiction, March 1978. The story can also be found in the anthologies:

• The 1979 Annual World's Best SF, edited by Donald A. Wollheim, Arthur W. Saha
• The Best Science Fiction Novellas of the Year #1 (1979), edited by Terry Carr
• Best Science Fiction Stories of the Year: Eighth Annual Collection (1979), edited by Gardner Dozois
• Nebula Winners Fourteen (1980), edited by Frederik Pohl
• The Hugo Winners, Volume 4: (1976-79) (1985), edited by Isaac Asimov
• The Best of the Nebulas (1989), edtied by Ben Bova

It is half of Tor Double #29: Nanowire Time / The Persistence of Vision and is included in the collections The Persistence of Vision (1979) and The John Varley Reader (2004).

The premise of the novel is that there is a planet (for "No less than a planet will serve the purpose of a modern Utopia") exactly like Earth, with the same geography and biology. Moreover, on that planet "all the men and women that you know and I" exist "in duplicate." They have, however, "different habits, different traditions, different knowledge, different ideas, different clothing, and different appliances." (Not however, a different language: "Indeed, should we be in Utopia at all, if we could not talk to everyone?")

To this planet "out beyond Sirius" the Owner of the Voice and the botanist are translated, imaginatively, "in the twinkling of an eye... We should scarcely note the change. Not a cloud would have gone from the sky." Their point of entry is on the slopes of the Piz Lucendro in the Swiss Alps.

The adventures of these two characters are traced through eleven chapters. Little by little they discover how Utopia is organized. It is a world with "no positive compulsions at all... for the adult Utopian--unless they fall upon him as penalties incurred."

The Owner of the Voice and the botanist are soon required to account for their presence. When their thumbprints are checked against records in "the central index housed in a vast series of buildings at or near Paris," both discover they have doubles in Utopia. They journey to London to meet them, and the Owner of the Voice's double is a member of the Samurai, a voluntary order of nobility that rules Utopia. "These samurai form the real body of the State."

Running through the novel as a foil to the main narrative is the botanist's obsession with an unhappy love affair back on Earth. The Owner of the Voice is annoyed at this undignified and unworthy insertion of earthly affairs in Utopia, but when the botanist meets the double of his beloved in Utopia the violence of his reaction bursts the imaginative bubble that has sustained the narrative and the two men find themselves back in early-twentieth-century London.

This collection of short stories by H. G. Wells is the most comprehensive yet, and showcases the hugely fertile imagination of the great author, whose ideas and storylines remain hugely relevant to this day.

Table of Contents:

• 3 - The Stolen Bacillus - (1894) - short story
• 9 - The Flowering of the Strange Orchid - (1894) - short story
• 16 - In the Avu Observatory - (1894) - short story
• 22 - The Triumphs of a Taxidermist - (1894) - short story
• 26 - A Deal in Ostriches - (1894) - short story
• 30 - Through a Window - (1894) - short story
• 37 - The Temptation of Harringay - (1895) - short story
• 42 - The Flying Man - (1895) - short story
• 48 - The Diamond Maker - (1894) - short story
• 55 - Aepyornis Island - (1894) - short story (variant of Æpyornis Island)
• 65 - The Remarkable Case of Davidson's Eyes - (1895) - short story
• 74 - The Lord of the Dynamos - non-genre - (1894) - short story
• 82 - The Hammerpond Park Burglary - (1894) - short story
• 89 - The Moth - (1895) - short story
• 98 - The Treasure in the Forest - (1894) - short story
• 107 - The Plattner Story - (1896) - short story
• 124 - The Argonauts of the Air - (1895) - short story
• 135 - The Story of the Late Mr Elvesham - (1896) - short story (variant of The Story of the Late Mr. Elvesham)
• 150 - In the Abyss - (1896) - short story
• 164 - The Apple - (1896) - short story
• 171 - Under the Knife - (1896) - short story
• 183 - The Sea Raiders - (1896) - short story (variant of The Sea-Raiders)
• 192 - Pollock and the Porroh Man - (1895) - short story
• 206 - The Red Room - (1896) - short story
• 214 - The Cone - non-genre - (1895) - short story
• 224 - The Purple Pileus - (1896) - short story
• 234 - The Jilting of Jane - (1894) - short story
• 241 - In the Modern Vein: An Unsympathetic Love Story - (1894) - short story
• 250 - A Catastrophe - (1895) - short story
• 258 - The Lost Inheritance - (1896) - short story
• 264 - The Sad Story of a Dramatic Critic - (1895) - short story
• 272 - A Slip Under the Microscope - (1896) - short story
• 291 - The Crystal Egg - (1897) - short story
• 306 - The Star - (1897) - short story
• 316 - A Story of the Stone Age - (1897) - novella
• 363 - A Story of the Days to Come - (1899) - novella
• 436 - The Man Who Could Work Miracles - (1898) - short story
• 453 - Filmer - (1901) - short story
• 468 - The Magic Shop - (1903) - short story
• 478 - The Valley of Spiders - (1903) - short story
• 488 - The Truth About Pyecraft - (1903) - short story
• 497 - Mr Skelmersdale in Fairyland - (1903) - short story
• 509 - The Inexperienced Ghost - (1902) - short story
• 520 - Jimmy Goggles the God - (1898) - short story
• 531 - The New Accelerator - (1901) - short story
• 543 - Mr Ledbetter's Vacation - (1898) - short fiction (variant of Mr. Ledbetter's Vacation)
• 558 - The Stolen Body - (1898) - short story
• 572 - Mr Brisher's Treasure - (1899) - short fiction (variant of Mr. Brisher's Treasure)
• 581 - Miss Winchelsea's Heart - (1898) - short story
• 596 - A Dream of Armageddon - (1901) - short story
• 621 - The Door in the Wall - (1906) - short story
• 636 - The Empire of the Ants - (1905) - short story
• 650 - A Vision of Judgment - (1899) - short story (variant of A Vision of Judgement)
• 656 - The Land Ironclads - (1903) - novelette
• 675 - The Beautiful Suit - non-genre - (1909) - short story
• 679 - The Pearl of Love - (1925) - short story
• 683 - The Country of the Blind - (1904) - novelette
• 704 - The Reconciliation - (1895) - short story
• 710 - My First Aeroplane - [Little Mother - 1] - (1910) - short story
• 720 - Little Mother Up the Mörderberg - [Little Mother - 2] - (1910) - short story
• 730 - The Story of the Last Trump - (1915) - short story
• 743 - The Grisly Folk - (1921) - essay
• 757 - A Tale of the Twentieth Century: For Advanced Thinkers - (1887) - short fiction (variant of A Tale of the Twentieth Century)
• 762 - Walcote - (1898) - short story
• 769 - The Devotee of Art - (1888) - short fiction
• 779 - The Man with a Nose - (1894) - short fiction
• 783 - A Perfect Gentleman on Wheels - (1897) - short fiction
• 793 - Wayde's Essence - (1895) - short fiction
• 802 - A Misunderstood Artist - (1894) - short fiction
• 806 - Le Mari Terrible - (1895) - short story
• 810 - The Rajah's Treasure - (1896) - short story
• 821 - The Presence by the Fire - (1897) - short story
• 827 - Mr Marshall's Doppelganger - (1897) - short fiction (variant of Mr. Marshall's Doppelganger)
• 837 - The Thing in No. 7 - (1894) - short story
• 843 - The Thumbmark - (1894) - short story
• 850 - A Family Elopement - (1894) - short fiction
• 855 - Our Little Neighbour - (1895) - short fiction
• 863 - How Gabriel Became Thompson - (1894) - short fiction
• 872 - How Pingwill Was Routed - (1895) - short fiction
• 876 - The Loyalty of Esau Common: A Fragment - (1902) - short fiction (variant of The Loyalty of Esau Common)
• 891 - The Wild Asses of the Devil - (1915) - short story
• 901 - Answer to Prayer - (1937) - short story
• 904 - The Queer Story of Brownlow's Newspaper - (1932) - short story
• 921 - The Country of the Blind (Revised Version) - (1939) - short fiction (variant of The Country of the Blind (revised))
• 951 - Introduction to The Country of the Blind and Other Stories - (1911) - essay (variant of Introduction (The Country of the Blind and Other Stories))
• 956 - Introduction to Revised Version of "The Country of the Blind" - (1939) - essay (variant of Introduction (The Country of the Blind))

"Men Like Gods" is a 1922 novel written by H. G. Wells. It features a utopian parallel universe.

The hero of the novel, Mr. Barnstaple, is a depressive journalist in the newspaper "The Liberal." At the beginning of the story, Mr. Barnstaple, as well as a few other Englishmen, are accidentally transported to the parallel world of Utopia.

Utopia is like an advanced Earth, although it had been quite similar to Earth in the past in a period known to Utopians as the "Days of Confusion." Utopia is a utopian world: it has a utopian socialist world government, advanced science, and even pathogens have been eliminated and predators are almost tamed.

Barnstaple is confounded and confused by the utopian attitudes: "where is your government ?" he asks. "our government is in our education" is the answer. Barnstaple gradually loses his Victorian English narcissism. For instance, Wells makes comments on personal responsibility when Barnstaple sees a person slaving over a rose garden at high altitude and asks, "Why don't you hire a gardener?" The answer is, "The working class has vanished from utopia years ago! He who loves the rose must then serve that rose." Barnstaple is changed by those experiences and he loses his Eurocentric view of the world and starts to really get the idea of the place. As this conversion starts to take place, Utopians begin to fall ill.

This, however, means that the newly arrived Earthlings pose a grave threat to Utopians, as the latter's immune system has become weak; and the Earthlings have to be quarantined until a solution is found. They resent this isolation and some of them plot to take over Utopia...

Triton, the outermost moon of Neptune, was a world of absolute freedom, where every wish could be fulfilled. But for Bron Helstrom, one of Triton's elite, life had lost its meaning. There, in a world of endless possibilities, Bron began a searing odyssey to find the object of his desires.

This collection of eleven original essays speaks to common themes and strategies in women's writing about their different worlds, from Margaret Cavendish's seventeenth-century "Blazing World of the North Pole" to the men less' islands of the French writer Scudery to the eighteenth and nineteenth-century utopias of Shelley and Gaskell, and science fiction pulps, finishing with the more contemporary feminist fictions of Le Guin, Wittig, Piercy and Mitchison.

Contents:

• "There Goes the Neighborhood": Octavia Butler's Demand for Diversity in Utopias - (1994) - essay by Michell Erica Green
• Consider Her Ways: The Cultural Work of Charlotte Perkins Gilman's Pragmatopian Stories, 1908-1913 - (1994) - essay by Carol Farley Kessler
• Difference and Sexual Politics in Naomi Mitchison's Solution Three - (1994) - essay by Sarah LeFanu
• Gaskell's Feminist Utopia: The Cranfordians and the Reign of Goodwill - (1994) - essay by Rae Rosenthal
• Islands of Felicity: Women Seeing Utopia in Seventeenth-Century France - (1994) - essay by Ruth Carver Capasso
• Mothers and Monsters in Sarah Robinson Scott's Millenium Hall - (1994) - essay by Linda Dunne
• Science Fiction by Women in the Early Pulps, 1926-1930 - (1994) - essay by Jane L. Donawerth
• Subjectivity as Feminist Utopia - (1994) - essay by Jean Pfaelzer
• Texts and Contexts: American Women Envision Utopia, 1890-1920 - (1994) - essay by Carol A. Kolmerten
• The Frozen Landscape in Women's Utopian and Science Fiction - (1994) - essay by Naomi Jacobs
• The Subject of Utopia: Margaret Cavendish and Her Blazing-World - (1994) - essay by Lee Cullen Khanna
• Foreword (Utopian and Science Fiction by Women) - (1994) - essay by Susan Gubar

Utopian societies exhibit a variety of ways of organizing the financial, political and emotional relationships between people. For all this diversity, however, one thing that exhibits far less variation is the story, the framing narrative that accounts for how the narrator reaches the more perfect society and obtains the opportunity to witness its distinctive excellences. Narrating Utopia is about that story, the curious hybrid of the traveler's tale and the classical dialogue that emerges in the Renaissance, but whose outlines remain clearly apparent even in some of the most recent utopian writing.

The focus of this work is how Charlotte Perkins Gilman developed as a writer and how she imagined a full-blown utopia for women. It offers a fresh reading of Gilman's fiction and fills a void in Gilman scholarship, in feminist utopian scholarship and in American literary studies.

Almost all Gilman's work asserts optimistically the possibility for utopian change, yet ironically she is probably most widely celebrated for her darkly tragic story The Yellow Wallpaper. The focus of this essay collection is Gilman's utopianism. Her best-known and critically addressed novel is Herland, and several contributors revisit it in order to deepen our understanding of the complexity of Gilman's utopian vision. The lesser-known Moving the Mountain - deserving of more attention than it has received - is the subject of a full essay, and other essays explore utopian ideas in Gilman's short stories.

The Man Who Lived Forever

His first thousand years were the easiest.

The Mars Monopoly

Find your fortune in the sky - by permission of the Mars monopoly.

In a career that spanned over thirty years, Iain M. Banks became one of the best-loved and most prolific writers in Britain, with his space opera series concerned with the pan-galactic utopian civilisation known as "the Culture" widely regarded as his most significant contribution to science fiction.

The Culture of "The Culture" is the first critical monograph to focus solely on this series, providing a comprehensive, thematic analysis of Banks's Culture stories from Consider Phlebas to The Hydrogen Sonata. It explores the development of Banks's political, philosophical and literary thought, arguing that the Culture offers both an image of a harmonious civilisation modelled on an alternative socialist form of globalisation and a critique of our neo-liberal present.

As Joseph Norman explains, the Culture is the result of an ongoing utopian process, attempting through the application of technoscience to move beyond obstacles to progress such as imperialism, capitalism, the human condition, religious dogma, patriarchy and crises in artistic representation.

The Culture of "The Culture" defines Banks's creation as culture: a utopian way of doing, of being, of seeing: an approach, an attitude and a lifestyle that has enabled, and is evolving alongside, utopia, rather than an image of a static end-state.

Connie Ramos, a woman in her mid-thirties, has been declared insane. But Connie is overwhelmingly sane, merely tuned to the future, and able to communicate with the year 2137. As her doctors persuade her to agree to an operation, Connie struggles to force herself to listen to the future and its lessons for today....

Since the early rise of the novel, utopian stories have held the public imagination. This critical text argues that though these books are commonly seen as social statements or ideological propaganda, they should be treated as literary texts, not as blueprints for a human community. Thomas More's Utopia, H.G. Wells's A Modern Utopia, Aldous Huxley's Brave New World, and Arthur C. Clarke's The City and the Stars are examined as texts representative of utopianism during specific historical periods.

This thoughtful study is a vital addition to critical discussion of utopian literature.

Ursula Le Guin's Always Coming Home is a major work of the imagination from one of America's most respected writers of science fiction. More than five years in the making, it is a novel unlike any other. A rich and complex interweaving of story and fable, poem, artwork, and music, it totally immerses the reader in the culture of the Kesh, a peaceful people of the far future who inhabit a place called the Valley on the Northern Pacific Coast.

Commune 2000 A.D. depicts a North America in which 90 percent of the population is unemployed and on government assistance, and yet everyone leads a comfortable lifestyle, with plenty of food, beautiful spacious housing, efficient public transportation, and an array of electronic devices. Crime and envy are almost entirely eliminated. There is no pollution and the landscape has been restored, with factories and highways underground. Computers and automation make this utopia possible. In fact, every year people take an intelligence/aptitude test, and the government computers select the best individuals for the tiny number of jobs available.

The fact that everyone has a middle class income and lifestyle without working allows them to leave the cities and band together into communes of the like-minded (a commune of homosexuals, a commune of artists, a commune of people who like to get high on drugs every day, etc.) The main character, a graduate student in the social sciences, is tasked by his graduate adviser to write his thesis on the communes, and he travels from commune to commune, interviewing communards and taking notes.

Imagine a future in which the US government builds colossal self-contained cities to house anyone who wishes to live there. it is a virtual paradise except...

SHYLER-DEME IS UNDER SEIGE!

The enemy has no face. It does not show on the scanners. It avoids the world's most sophisticated surveillance system. But it leaves a wake of profitless crime and motiveless murder...

And puts the future of mankind's paradise-on-earth in peril!

Omnibus edition of Don't Bite the Sun and Drinking Sapphire Wine. This omnibus was also issued under the confusing title of Drinking Sapphire Wine.

In a world dedicated to pleasure, one young rebel sets out on a forbidden quest--.

Published for the first time in a single volume, Tanith Lee's duet of novels set in a hedonistic Utopia are as riveting and revolutionary as they were when they first appeared two decades ago.

It's a perfect existence, a world in which no pleasure is off-limits, no risk is too dangerous, and no responsibilities can cramp your style. Not if you're Jang: a caste of libertine teenagers in the city of Four BEE. But when you're expected to make trouble--when you can kill yourself on a whim and return in another body, when you're encouraged to change genders at will and experience whatever you desire--you've got no reason to rebel...until making love and raising hell, daring death and running wild just leave you cold and empty.

Ravenous for true adventures of the mind and body, desperate to find some meaning, one restless spirit finally bucks the system--and by shattering the rules, strikes at the very heart of a soulless society....

Widely regarded as one of the true classics of science fiction, Star Maker is a poetic and deeply philosophical work. This 1937 successor to Last and First Men offers another entrancing speculative history of the future. The story details the mental journey of an unnamed narrator who is transported not only to other worlds but also other galaxies, intelligent star clusters, mingles amoung alien races and continues on to parallel universes, until he eventually becomes part of the "cosmic mind."

First published in 1937, Olaf Stapledon's descriptions of alien life are a political commentary on human life in the turbulent inter-war years. The book challenges preconceived notions of intelligence and awareness, and ultimately argues for a broadened perspective that would free us from culturally ingrained thought and our inevitable anthropomorphism.

This is the first scholarly edition of a book that influenced such writers as C.S. Lewis, Doris Lessing, and Arthur C. Clarke. Jorge Luis Borges called this work "a prodigious novel."

Secrets Lie Within The Earth

"Tell me frankly what you saw in that chasm: I am sure it was something strange and terrible. Confide in me."

The engineer long endeavoured to evade my inquiries. But at last, he spoke.

"I will tell you all. A steady brilliant light. I left the cage and clambered down. As I drew nearer and nearer to the light, the chasm became wider, and at last I saw, to my unspeakable amaze, a broad level road at the bottom of the abyss, illumined as far as the eye could reach by what seemed artificial gas-lamps placed at regular intervals, as in the thoroughfare of a great city; and I heard confusedly at a distance a hum as of human voices. I know, of course, that no rival miners are at work in this district. Whose could be those voices? What human hands could have levelled that road and marshalled those lamps?"

"You will descend again?"

"I ought, yet I feel as if I durst not."

Thousands of years in the future in a distant part of the galaxy, lies the planet Shora, entirely covered by a world-spanning ocean. The huge and complex ecosystem of Shora is inhabited by the Sharers, an all female race who reproduce by parthenogensis, without males. The Sharers are immensely sophisticated in the life sciences, but have eschewed all unnatural technology. Over millennia of isolation, they have developed a complex philosophical and ethical system, idealistic, communal, and pacifist...

So begins a war, protracted and graphic, in which one side cannot fight because the concept is inconceivable in their philosophy...

The Great Romance, a two-volume novella published under the pseudonym "The Inhabitant," was one of the outstanding late nineteenth-century works of utopian science fiction. Volume 1 was a possible model for Edward Bellamy's phenomenally successful Looking Backward, while volume 2 was assumed lost for over a century until uncovered in the Hocken Library in Dunedin, New Zealand. Together these volumes represent a remarkable piece of science fiction writing as they proffer one of the first serious considerations of the colonization of other planets and the impact of human beings on an alien culture. Here, for the first time, readers encounter descriptions of spacesuits and airlocks, space shuttles and planetary rovers, interplanetary colonization and cross-species miscegenation.

Behind these genre-defining elements is the story of John Hope, who, by means of a sleeping elixir, awakes to a utopian community in a distant future--a "kingdom of thought" where the struggle for existence has been eliminated and humanity operates under an unwritten law of civility and harmony, aided by telekinesis that inerrantly reveals all wrong-doers. Since only two of the probably three volumes are extant, the tale ends with a chilling cliffhanger. In his introduction Dominic Alessio discusses the cutting-edge aspects of this work and its significance in both the realm of science fiction and the history and culture of its day.

First published in 1897, The Year 3000 is the most daring and original work of fiction by the prominent Italian anthropologist Paolo Mantegazza. A futuristic utopian novel, the book follows two young lovers who, as they travel from Rome to the capital of the United Planetary States to celebrate their "mating union," encounter the marvels of cultural and scientific advances along the way. Intriguing in itself, The Year 3000 is also remarkable for both its vision of the future (predicting an astonishing array of phenomena from airplanes, artificial intelligence, CAT scans, and credit cards to controversies surrounding divorce, abortion, and euthanasia) and the window it opens on fin de siècle Europe.

Published here for the first time in English, this richly annotated edition features an invaluable introductory essay that interprets the intertextual and intercultural connections within and beyond Mantegazza's work. For its critical contribution to early science fiction and for its insights into the hopes, fears, and clash of values in the Western world of both Mantegazza's time and our own, this book belongs among the visionary giants of speculative literature.

The book's full title is Mizora: A Prophecy: A Mss. Found Among the Private Papers of Princess Vera Zarovitch: Being a True and Faithful Account of her Journey to the Interior of the Earth, with a Careful Description of the Country and its Inhabitants, their Customs, Manners, and Government.

What would happen to our culture if men ceased to exist? Mary E. Bradley Lane explores this question in Mizora, the first known feminist utopian novel written by a woman.

Vera Zarovitch is a Russian noblewoman--heroic, outspoken, and determined. A political exile in Siberia, she escapes and flees north, eventually finding herself, adrift and exhausted, on a strange sea at the North Pole. Crossing a barrier of mist and brilliant light, Zarovitch is swept into the enchanted, inner world of Mizora. A haven of music, peace, universal education, and beneficial, advanced technology, Mizora is a world of women.

Mizora appeared anonymously in the Cincinnati Commercial in 1880 and 1881. Mary E. Bradley Lane concealed from her husband her role in writing the controversial story.

Has also been published as Mizora: A Prophecy.

An excerpt of a review from The Unpopular Review, Volume 10, December, 1918:

...WHEN we come to The Inner House by Sir Walter Besant, we find a Utopia that strikes at the very root of the Utopian idea, -- man's desire for a society without drawbacks. To Sir Walter, all Utopias are bad. The craving for them is most harmful. For man to follow the line of least resistance all through life, and to encounter no obstacles in his path, would result in a moral flabbiness that would mean his downfall. The working effect of a society in which there is no struggle for existence is pictured in the Inner House with convincing probability. Hardships are unknown, and the citizens, having overcome all dissatisfaction with conditions, are left in torpor and apathy, stupid and sluggish, for lack of any "large and liberal discontent."

In the land of The Inner House there is no more death or pain. The physicians of the House of Life have made the Great Discovery, how to abolish both pain and death. The result is that Religion and Love have perished from the land. How could Religion survive the removal of Death? "We fear not Death and, therefore, need no religion," the people say. "Without the certainty of parting, Religion droops and dies.... He who is immortal and commands the secrets of Nature so that he shall neither die, nor grow old, nor become feeble nor fall into any disease, feels no necessity for any religion." Love too disappears. But one thing kills Love. It cannot live long while the face and form know no change. Only at the price of abandoning the Great Discovery can Love be revived. The people rise up and throw off their effortless existence, for the sake of the Greater Discovery, "that to all things earthly there must come an end." The inhabitants realize in regard to their loved ones that "the very reason why they clasp them is because they die."

Utopias have their uses; The Inner House is needed to show their possible abuses, and it stands out as the great warning to all Utopians.

A prescient look at humankind's future

When a diplomat dies in the 1930s, he leaves behind a book of "dream visions" he has been experiencing, detailing events that will occur on Earth for the next 200 years. This fictional account of the future (similar to Last and First Men by Olaf Stapledon) proved prescient in many ways, as Wells predicts events such as World War II, the rise of chemical warfare, and climate change.

Three Hundred Years Hence is a utopian science fiction novel by author Mary Griffith. It is the first known utopian novel written by an American woman.

In Three Hundred Years Hence envisiones a feminist future in the year 2135.

The book is set in Philadelphia.

The main character, Edgar Hastings, leaves on a business trip but is frozen in a snow storm.

Thee hundred years later, he is discovered, thawed out and wakes up. He finds the improvements taken place since his accident amazing. The improved conditions are due entirely to the changes that took place when all females were given an education.

About the Book (written by David Hartwell): The utopia Chauncey Thomas describes in The Crystal Button may seem a remarkable vision for a late nineteenth-century Boston carriage-manufacturer writing in his spare time.

His hero, Paul Prognosis, goes into a coma for ten years after an accident and dreams that he is in the city of Tone (new Boston) in 4872, three thousand years in the future. It is a highly sanitized, perfectly organized world with sumptuous architecture - colonnades, triumphal arches, facades alive with sculptured decorations. Paul is filled with wonder by the way things work, and much of the novel is devoted to the operations of pure science - Tone's subway system for example, in which electricity and compressed air are the energy sources for rapid transit.

Unlike most utopian novelists Thomas does not moralize, though he faces an awkward paradox in the combination of stability and technology: everything must be changed but also remain permanent. All through the novel there are hints of unresolved anxieties which culminates when the comet Veda appears off schedule and destroys the ordered world of Tone, returning Paul to consciousness in the present.

The Land of the Changing Sun (1894), is a Lost-World tale featuring an Underground society named Alpha, which the author seems to have conceived of as a Utopia; founded 200 years earlier under the Arctic - in caverns, however, not inside a Hollow Earth - by a group of inventive Englishmen, it is lit and heated by an artificial sun, which moves on tracks and changes colour pleasingly. A cruel Eugenic regime causes the exiling of any person deemed defective. Intruding magma threatens this world, and its inhabitants decide to evacuate Alpha in advanced submarines.

Charlie Johns has been snatched from his home on 61 North 34th Street and delivered to the strange future world of Ledom. Here, violence is a vague and improbable notion. Technology has triumphed over hunger, overpopulation, pollution, even time and space. But there is a change Charlie finds even more shocking: gender is a thing of the past. Venus Plus X is Theodore Sturgeon's brilliant evocation of a civilization for whom tensions between male and female and the human preoccupation with sex no longer exist.

As Charlie Johns explores Ledom and its people, he finds that the human precepts he holds dear are profane in this new world. But has Charlie learned all there is to know about this advanced society? And why are the Ledom so intent on gaining Charlie's approval? Unsettling, compelling, and no less than visionary, here is science fiction at its boldest: a novel whose wisdom and lyricism make it one of the most original and insightful speculations on gender ever produced.

Originally appeared in Ace Double D-103 (1955).

The operating principle was random selection: positions of public power were decided by a sophisticated lottery. Everyone had a chance, everyone could live in hope that they would be chosen to be the boss, the Quizmaster. But with the power came the game - the assassination game - which everyone could watch on TV. Would the new man be good enough to avoid his chosen killer? Which made for fascinating and exciting viewing, compelling enough to distract the public's attention while the Big Five industrial complexes run the world, the solar system and the people, unnoticed and completely unopposed. Then, in 2203, with the choice of a member of a maverick cult as Quizmaster, the system developed a little hitch...

Human crisis in a computer world.

Rear cover synopsis:

"Bohn, the omnipotent computer whose flashing circuits and messianic pronouncements dictate what tomorrow will--or will not--be.

But Matthew Oliver is flesh and blood and full of questions--not nearly as certain as the machine he's appointed to serve.

And the right hand of science seldom knows what the left hand is doing..."

It's influenced William Gibson and been listed as one of the ten essential works of science fiction. Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael--four alternate selves from drastically different realities--meet.

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story "The Yellow Wallpaper," a chilling study of a woman's descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women's economic reliance on men.

In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they've encountered, the visitors set out to find some males, assuming that since the country is so civilized, "there must be men." A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics.

Decades ahead of her time in evolving a humanistic, feminist perspective, Gilman has been rediscovered and warmly embraced by contemporary feminists. An articulate voice for both women and men oppressed by the social order of the day, she adeptly made her points with a wittiness often missing from polemical writings.

High above the planet Harmony, the Oversoul watches. Its task, programmed so many millennia ago, is to guard the human settlement on this planet--to protect this fragile remnant of Earth from all threats. To protect them, most of all, from themselves.

The Oversoul has done its job well. There is no war on Harmony. There are no weapons of mass destruction. There is no technology that could lead to weapons of war. By control of the data banks, and subtle interference in the very thoughts of the people, the artificial intelligence has fulfilled its mission.

But now there is a problem. In orbit, the Oversoul realizes that it has lost access to some of its memory banks, and some of its power systems are failing. And on the planet, men are beginning to think about power, wealth, and conquest.

A post-apocalyptic tale that chronicles man's shedding of his restricting nature and the realization of his perfection through the evolution of group cooperation and herd behavior.

When the sun suddenly dies, the remaining populations on earth are forced to move their societies underground. Like Noah and his ark full of animals and plants, they take with them their most valuable items for rebuilding their new world also: paintings, bronzes, violins, and books of poetry. After a few centuries of subterranean slaughter, somehow the inevitable victors emerge: secular saintly aesthetes who create a romantic neo-troglodytical artistic utopia through the prodigious use of prophylactics and capital punishment. And love.

In this work written in 1941, at the most frightening point of World War II, Stapledon projects two separate futures for humanity, depending not on the outcome of that particular conflict but on the failure or success of a future "Tibetan Renaissance" to influence the temper and ideology of the militaristic Russian and Chinese empires that threaten it. One of the futures involves worldwide Chinese imperialism and subsequent degeneration and extinction of the human race, unable to defend itself against speedily evolving rats. The other ends in overthrowing the empires and creation of a worldwide socialist utopia.

On a spy mission for Freeland, Whit is almost safely home when the brutal forces of Elysium find her. When a battered and destitute farmer comes to her aid, Whit can't leave the woman to a certain death, setting in motion a homecoming that is anything but safe. Whit's feelings for Amelia complicate their return, especially when the other women of Freeland are wary of Amelia - who may not be the simple farmer she seems.

There are answers in Amelia's haunting dreams, but those are as deep as the secrets that surround Isis, a colony mysteriously destroyed by Elysium forces. The ruins of Isis hide an adversary Whit has never faced before, one whose plans for Freeland have been dormant for ten long years and whose hatred of the women of Isis lingers from a distant past.

The year is 2093. Isis is only a memory, but the future survival of Freeland depends on remembering...

Return to Isis is the first book in Jean Stewarts' beloved science-fiction series, and was shortlisted for a Lambda Literary Award.

A reprise of Edward Bellamy's classic Utopian novel, displaying Reynolds ideas about the politics and economics of an energy-affluent society

In this sequel to: Looking Backward, from the Year 2000 -

Julian West had been put into a hypnotic trance and placed in a sealed room. Then the house burned down and he was forgotten... until he awoke 40 years later. It was the year 2000, and it seem like Utopia....

Originally published in 1888, this prophetic work revolves around Julian West, a man who falls asleep near the end of the 19th century and wakes up in the year 2000. More than a brilliant visionary's view of the future, it is a guidebook that has stimulated some of the greatest thinkers of the modern age.

The story takes up immediately after the events of Looking Backward with the main characters from the first novel, Julian West, Doctor Leete, and his daughter Edith.

West tells his nightmare of return to the 19th century to Edith, who is sympathetic. West's citizenship in the new America is recognized, and he goes to the bank to obtain his own account, or "credit card," from which he can draw his equal share of the national product. He learns that Edith and her mother do not normally wear the long skirts he has seen them in (they had been wearing them so as not to offend his 19th century sensibilities): when Julian tells Edith that he would not be shocked to see them dressed in the modern fashion, Edith immediately runs into the house and comes out dressed in a pants suit. Clothing has revolutionised and is now made of strengthened paper, recycled when dirty, and replaced at very little cost (shoes and dishes are made of variations on the same substance).

Julian learns that women are free to compete in many of the same trades as men; the manager of the paper factory he visits with Edith is a woman. Edith herself is in the second year of the three year general labor period required of everyone before choosing a trade, but has taken leave to spend time with Julian. The two tour a tenement house, in which no one now lives, kept as a reminder of the evils of private capitalism.

Julian opens his safe (a device unknown in 2000 outside museums). Dr. Leete sees his mortgages and securities not as long-obsolete claims to ownership interest in things, but rather in people and their labor. The papers are worthless except as antiques, as most papers of the sort were burned at the conclusion of the economic transition, in a great blaze on the former site of the New York Stock Exchange. The gold coins in the safe are admired for their prettiness, but are also worthless.

Julian learns more about the world of the year 2000. Handwriting has been virtually replaced by phonograph records, and jewelry is no longer used, since jewels are now worthless. Julian is amazed by a television-like device, called the electroscope. World communication is simplified, since everyone now speaks a universal language in addition to their native tongue. Not only are there motor cars, but also private air cars. Everyone is now vegetarian, and the thought of eating meat is looked upon with revulsion.

The book concludes with an almost uninterrupted series of lectures from Dr. Leete and other characters, mostly concerning how the idyllic state in which West has arrived was achieved.

Four sailors discover a copper cylinder containing a manuscript written by the adventurer Adam More, who was shipwrecked in the southern hemisphere. They read its contents out to one another, and the incredible story unfolds of his journey to a lost world which survives at the foot of a volcano. This strange utopian society, in which humans coexist with prehistoric animals, is the antithesis of Victorian England, as poverty is preferred to wealth and darkness to light.

The tale itself is divided into two parts.

In "The Voyage", the protagonists learn how to create a new Power Source - an Antigravity element capable of propelling the Spaceship they have had constructed by an eccentric Inventor - and travel to the Moon.

In part two, "The Ideal Life", they discover a Utopia inhabited by "amnesiac reincarnations of select Earthmen", four feet tall, communitarian, pacific. Transportation is via giant roc-like birds. The protagonists, in strong contrast to the behaviour of most visitors to other worlds in the nineteenth century, neither leave nor destroy the world they have discovered.

A Trip to Venus (1897) is an account of a journey by Spaceship - powered by a new Antigravity as a sustaining Power Source - to an idyllic Utopia on Venus, with a brief excursion to Mercury.

Adrift in the Stratosphere, aimed at a juvenile audience, has a young protagonists accidentally take off in a professor's experimental Spaceship and they soon find themselves attacked by irrationally hostile Martians with various Rays and a madness-inducing Basilisk radio broadcast; there are subsequent tours of Utopias set on space Islands.

Three go back... 25,000 years, to lost Atlantis! A tale mixing adventure, science, and sex in the search for solutions to our world's problems.

Mycroft Canner is a convict. For his crimes he is required, as is the custom of the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer--a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away.

The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labelling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world's population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competion is carefully managed by central planners of inestimable subtlety. To us it seems like a mad combination of heaven and hell. To them, it seems like normal life.

And in this world, Mycroft and Carlyle have stumbled on the wild card that may destablize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life...

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war... a long era of stability threatens to come to an abrupt end. For known only to a few, the leaders of the great Hives, nations without fixed location, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds.

And yet the balance is beginning to give way. Mycroft Canner, convict, sentenced to wander the globe in service to all, knows more about this conspiracy the than he can ever admit. Carlyle Foster, counselor, sensayer, has secrets as well, and they burden Carlyle beyond description. And both Mycroft and Carlyle are privy to the greatest secret of all: Bridger, the child who can bring inanimate objects to life.

"For Warre, consisteth not in Battell onely, or the act of fighting; but in a tract of time, wherein the Will to contend by Battell is sufficiently known..."

-- Thomas Hobbes, Leviathan XIII.

The world of Terra Ignota has been upended. War is inevitable. But after three centuries of peace, how does a war begin? With every world ruler friends with every other, how do the nations pick sides? How can war begin when every nation already has surrendered? Genius convict Mycroft Canner has completed the history started in Too Like the Lightning and concluded in Seven Surrenders. Now he begins his chronicle of the guideless search for an order to the conflict as the world slouches toward war, while a living myth contends with a celebrity assassin, a corrupt priestess and a captive god to shape the conflict and the world to come.

From the 2017 John W. Campbell Award Winner for Best Writer, Ada Palmer's Perhaps the Stars is the final book of the Hugo Award-shortlisted Terra Ignota series.

World Peace turns into global civil war.

In the future, the leaders of Hive nations--nations without fixed location--clandestinely committed nefarious deeds in order to maintain an outward semblance of utopian stability. But the facade could only last so long. The comforts of effortless global travel and worldwide abundance may have tempered humanity's darkest inclinations, but conflict remains deeply rooted in the human psyche. All it needed was a catalyst, in form of special little boy to ignite half a millennium of repressed chaos.

Now, war spreads throughout the globe, splintering old alliances and awakening sleeping enmities. All transportation systems are in ruins, causing the tyranny of distance to fracture a long-united Earth and threaten to obliterate everything the Hive system built.

With the arch-criminal Mycroft nowhere to be found, his successor, Ninth Anonymous, must not only chronicle the discord of war, but attempt to restore order in a world spiraling closer to irreparable ruin.

The fate of a broken society hangs in the balance. Is the key to salvation to remain Earth-bound or, perhaps, to start anew throughout the far reaches of the stars?

In a world renowned even within a galaxy full of wonders, a crime within a war. For one man it means a desperate flight, and a search for the one - maybe two - people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever.

Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy.

Concealing her new identity - and her particular set of abilities - might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.

Jonas's world is perfect. Everything is under control. There is no war or fear of pain. There are no choices. Every person is assigned a role in the community. When Jonas turns 12 he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back.

The Golden Age is Grand Space Opera, a large-scale SF adventure novel in the tradition of A. E. Van vogt and Roger Zelazny, with perhaps a bit of Cordwainer Smith enriching the style. It is an astounding story of super science, a thrilling wonder story that recaptures the excitements of SF's golden age writers.

The Golden Age takes place 10,000 years in the future in our solar system, an interplanetary utopian society filled with immortal humans. Within the frame of a traditional tale-the one rebel who is unhappy in utopia-Wright spins an elaborate plot web filled with suspense and passion.

Phaethon, of Radamanthus House, is attending a glorious party at his family mansion to celebrate the thousand-year anniversary of the High Transcendence. There he meets first an old man who accuses him of being an impostor and then a being from Neptune who claims to be an old friend. The Neptunian tells him that essential parts of his memory were removed and stored by the very government that Phaethon believes to be wholly honorable. It shakes his faith. He is an exile from himself.

And so Phaethon embarks upon a quest across the transformed solar system--Jupiter is now a second sun, Mars and Venus terraformed, humanity immortal--among humans, intelligent machines, and bizarre life forms that are partly both, to recover his memory, and to learn what crime he planned that warranted such preemptive punishment. His quest is to regain his true identity.

The Golden Age is one of the major, ambitious SF novels of the year and the international launch of an important new writer in the genre.

Created as an experiment by the time-traveling goddess Pallas Athene, the Just City is a planned community, populated by over ten thousand children and a few hundred adult teachers from all eras of history, along with some handy robots from the far human future--all set down together on a Mediterranean island in the distant past.

The student Simmea, born an Egyptian farmer's daughter sometime between 500 and 1000 A.D, is a brilliant child, eager for knowledge, ready to strive to be her best self. The teacher Maia was once Ethel, a young Victorian lady of much learning and few prospects, who prayed to Pallas Athene in an unguarded moment during a trip to Rome--and, in an instant, found herself in the Just City with grey-eyed Athene standing unmistakably before her.

Meanwhile, Apollo--stunned by the realization that there are things mortals understand better than he does--has arranged to live a human life, and has come to the City as one of the children. He knows his true identity, and conceals it from his peers. For this lifetime, he is prone to all the troubles of being human.

Then, a few years in, Sokrates arrives--the same Sokrates recorded by Plato himself--to ask all the troublesome questions you would expect. What happens next is a tale only the brilliant Jo Walton could tell.

From acclaimed, award-winning author Jo Walton: Philosopher Kings, a tale of gods and humans, and the surprising things they have to learn from one another. Twenty years have elapsed since the events of The Just City. The City, founded by the time-traveling goddess Pallas Athene, organized on the principles espoused in Plato's Republic and populated by people from all eras of human history, has now split into five cities, and low-level armed conflict between them is not unheard-of.

The god Apollo, living (by his own choice) a human life as "Pythias" in the City, his true identity known only to a few, is now married and the father of several children. But a tragic loss causes him to become consumed with the desire for revenge. Being Apollo, he goes handling it in a seemingly rational and systematic way, but it's evident, particularly to his precocious daughter Arete, that he is unhinged with grief.

Along with Arete and several of his sons, plus a boatload of other volunteers--including the now fantastically aged Marsilio Ficino, the great humanist of Renaissance Florence--Pythias/Apollo goes sailing into the mysterious Eastern Mediterranean of pre-antiquity to see what they can find--possibly the man who may have caused his great grief, possibly communities of the earliest people to call themselves "Greek." What Apollo, his daughter, and the rest of the expedition will discover... will change everything.

Necessity: the sequel to the acclaimed The Just City and The Philosopher Kings, Jo Walton's tales of gods, humans, and what they have to learn from one another.

More than sixty-five years ago, Pallas Athena founded the Just City on an island in the eastern Mediterranean, placing it centuries before the Trojan War, populating it with teachers and children from throughout human history, and committing it to building a society based on the principles of Plato's Republic. Among the City's children was Pytheas, secretly the god Apollo in human form.

Sixty years ago, the Just City schismed into five cities, each devoted to a different version of the original vision.

Forty years ago, the five cities managed to bring their squabbles to a close. But in consequence of their struggle, their existence finally came to the attention of Zeus, who can't allow them to remain in deep antiquity, changing the course of human history. Convinced by Apollo to spare the Cities, Zeus instead moved everything on the island to the planet Plato, circling its own distant sun.

Now, more than a generation has passed. The Cities are flourishing on Plato, and even trading with multiple alien species. Then, on the same day, two things happen. Pytheas dies as a human, returning immediately as Apollo in his full glory. And there's suddenly a human ship in orbit around Plato--a ship from Earth.

2065: In a world that has rediscovered harmony with nature, the village of El Modena, California, is an ecotopia in the making. Kevin Claiborne, a young builder who has grown up in this "green" world, now finds himself caught up in the struggle to preserve his community's idyllic way of life from the resurgent forces of greed and exploitation.

Bwana:

On the planet Kirinyaga, the descendants of the Kikuyu have resurrected the unspoiled ways of their African ancestors. And like their long-lost savannahs of ancient Earth, the grasslands of Kirinyaga harbor lethal beasts of prey. The chief, Koinnage, hires a hunter to reduce the swelling population of predatory hyena. But in the view of Koriba, aging mundumugu to the tribe, no beast of prey could pose a greater threat to the Kikuyu than the mighty offworld hunter brought in - over his strenuous objections - to slay those beasts.

Bully!:

In March 1909, Theodore Roosevelt went on a safari to central Africa. In this fictionalized account of that trip, Mike Resnick takes us on an amusing "what-if" with Roosevelt deciding to "liberate" the native Africans from Belgian rule and to set up a model democratic state in the heart of Africa.

Extras, the final book in the Uglies series, is set a couple of years after the "mind-rain," a few earth-shattering months in which the whole world woke up. The cure has spread from city to city, and the pretty regime that kept humanity in a state of bubbleheadedness has ended. Boundless human creativity, new technologies, and old dangers have been unleashed upon the world. Culture is splintering, the cities becoming radically different from each other as each makes its own way into this strange and unpredictable future...

One of the features of the new world is that everyone has a "feed," which is basically their own blog/myspace/tv channel. The ratings of your feed (combined with how much the city interface overhears people talking about you) determines your social status--so everyone knows at all times how famous they are.

As Scott Westerfeld explored the themes of extreme beauty in the first three Uglies books, now he takes on the world's obsession with fame and popularity. And how anyone can be an instant celebrity.

When two European scientists unexpectedly inherit an Indian rajah's fortune, each builds an experimental city of his dreams in the wilds of the American Northwest. France-Ville is a harmonious urban community devoted to health and hygiene, the specialty of its French founder, Dr. François Sarrasin. Stahlstadt, or City of Steel, is a fortress-like factory town devoted to the manufacture of high-tech weapons of war. Its German creator, the fanatically pro-Aryan Herr Schultze, is Verne's first truly evil scientist. In his quest for world domination and racial supremacy, Schultze decides to showcase his deadly wares by destroying France-Ville and all its inhabitants.

Both prescient and cautionary, The Begum's Millions is a masterpiece of scientific and political speculation and constitutes one of the earliest technological utopia/dystopias in Western literature. This Wesleyan edition features notes, appendices, and a critical introduction as well as all the illustrations from the original French edition.

This work has also been published under the name The Begum's Fortune.