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Ladies and Legends
Author: | Stephen Fabian |
Publisher: |
Underwood-Miller, 1993 |
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Book Type: | Non-Fiction |
Genre: | Science-Fiction / Fantasy |
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Synopsis
Fabian's success and popularity as an artist came with his graceful fantasy book and magazine illustrations of the 1970s and 1980s, depicting the work of H. P. Lovecraft, Robert E. Howard, Jack Vance, and many others. He also contributed interior and cover art to such magazines as Galaxy, If, Amazing Stories, and Fantastic. Introduction by Gerry de la Ree.
A spectacular collection of fantasy art, assembling the best of Fabian's book and magazine illustrations. The first collection of the fantasy artist's drawings. The book contains over 140 of Fabian's science fiction & fantasy illustrations (all in B&W, even those that originally appeared in colour) . Fabian has a very interesting style which works very well in black & white, especially his use of tones.
This collection is not recommended for those offended by scantily-clad women (there are a few scattered throughout the book).
Table of Contents:
- Stephen E. Fabian's Ladies & Legends - interior artwork
- Stephen E. Fabian's Ladies and Legends (frontispiece) - interior artwork (variant of Morreion: A Tale of the Dying Earth [7] 1979)
- Introduction (Stephen E. Fabian's Ladies and Legends) - essay by Gerry de la Ree - The Dragon of the Ishtar Gate by L. Sprague de Camp - (1982) - interior artwork (variant of Cover: The Dragon of the Ishtar Gate)
- Fantasy Illustration - interior artwork
- Fantasy Illustration [2] - interior artwork
- Bellerophon - interior artwork
- Fantasy Illustration [3] - interior artwork
- Among those whom Vermoulian had called forth was a graceful Mersei - (1984) - interior artwork (variant of Among those whom Vermoulian had called forth was the graceful Mersei)
- One day at idle whim Rhialto built a sand-castle on the beach - (1984) - interior artwork
- I come in Lord Asteroth's stead," boomed the awful voice - interior artwork (variant of Upon Entering the World 1977)
- His other arm was raised high, ax in hand - interior artwork (variant of Among the Vikings 1977)
- Price's fist crashed against Ali's jaw - interior artwork (variant of Price's Fist Crashed Against Ali's Jaw 1978)
- Malikar leapt into the tomb - interior artwork
- The battle in the garden - interior artwork (variant of The Battle in the Garden 1987)
- The castle of Sir Sagramour - interior artwork (variant of The Castle of Sir Sagramour 1987)
- The seventeen virgins - interior artwork (variant of Cover: The Seventeen Virgins 1979)
- The Rat Cave - (1979) - interior artwork
- The Iron Coach - interior artwork
- The Incantation - interior artwork
- You must reach into the pot, thoroughly stir the chips, and bring forth one - (1984) - interior artwork (variant of you must reach into the pot, thoroughly stir the chips, and bring forth one)
- The semblance of Calanctus took form on the worktable - interior artwork (variant of The semblance of Calanctus too form on the worktable: first an armature of silver and tantalum wires 1984)
- A hairy, black horror swung past him with a clashing of frothing fangs - interior artwork (variant of "He had a flashing glimpse of a hairy, black horror that swung past him with a clashing of frothing fangs." 1977)
- Red Sonya (from "The Shadow of the Vulture" by Robert E. Howard) - interior artwork (variant of Red Sonya from "The Shadow of the Vulture" 1976)
- Like a true queen she lay, with her plunder heaped high about her - interior artwork (variant of "Like a true queen she lay, with her plunder heaped high about her." 1976)
- Duare (from "Pirates of Venus" by E. R. Burroughs) - interior artwork (variant of Duare from "Pirates of Venus" 1976)
- from "A Letter from God" by Ian Watson - interior artwork (variant of A Letter from God 1981)
- He uncovered twelve men and five women ... - interior artwork (variant of He uncovered twelve men and five women 1980)
- Four or five of the prospects and initiates were begging for their lives - interior artwork (variant of Carnifex Mardi Gras [6] 1982)
- from "Carnifex Mardi Gras" by John F. Carr - interior artwork (variant of Cover: Carnifex Mardi Gras 1982)
- He pointed his finger; a flicker of emotion spurted forth to shatter a boulder - interior artwork (variant of Morreion: A Tale of the Dying Earth [20] 1979)
- He cast a spell of bouyancy upon the palace - interior artwork (variant of Morreion: A Tale of the Dying Earth [8] 1979)
- Zaraide's Dwelling - interior artwork (variant of Zaraides' Dwelling 1977)
- The Laughing Magician's Manse - (1979) - interior artwork
- Price saw it was a bleached human skull - interior artwork (variant of Price Saw It Was a Bleached Human Skull 1978)
- Price rode down into the wadi - interior artwork (variant of Price Rode Down into the Wadi 1978)
- Vekya - interior artwork
- She wrapped the cloak about his shoulders - interior artwork (variant of She Wrapped the Cloak About His Shoulders 1978)
- They seemed like creatures trained to hide and hunt - interior artwork (variant of The Pedlar of Pendle 1980)
- A fleeting glimpse showed the giant tawny shape, rearing upright against the stars... - interior artwork (variant of "A fleeting glimpse showed the Cimmerian the giant tawny shape, rearing upright against the stars... " 1977)
- Flowers were tangled in her hair - interior artwork (variant of Into the Dark Land 1981)
- Ephemeral towers and embattlements and gates flickered like mirages in a desert. - interior artwork (variant of The Riddle of the Horn 1981)
- from "Born to Exile" by Phyllis Eisenstein - interior artwork (variant of Born to Exile (frontispiece) 1978)
- from "Alien Flesh" by Seabury Quinn - interior artwork (variant of Alien Flesh (frontispiece) 1977)
- The ghostly city - interior artwork (variant of The Ghostly City 1977)
- "What intricate effort is this?" - interior artwork
- "They wanted me, oh how they wanted me." - interior artwork (variant of Scape-Goats 1988)
- "Once every generation or so, the desert spat out its demons." - interior artwork (variant of The Skins of the Fathers 1988)
- The "Return of the Sea-Farer" by Robert E. Howard - interior artwork (variant of The Return of the Sea-Farer 1978)
- He scooped the mermaid up before she even had time to bite. - interior artwork (variant of The Jennifer 1990)
- from "Locksley Hall-2025 A. D." by G. H. Stine - interior artwork (variant of Locksley Hall, 2050 AD: Prologue to "The Space Enterprise" 1980)
- The Missionaries - interior artwork (variant of Cover: Science Fiction Review, Summer 1981 1981)
- The Demon Encounter - (1979) - interior artwork
- On closer inspection Cugel saw a prodigious mound of gelatinous flesh - interior artwork (variant of The Bagful of Dreams 1979) from "The Compleat Crow" by Brian Lumley - interior artwork
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